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Il rumore dell’immagine. La televisione come profezia, una definizione degli anni ’70 del gruppo di Jervis Comba 
In a text of the 70 group Jervis Comba (known for the preface Ronald David Laing, 'The Divided Self') used to define the television visionary metaphors, comparing it to the Old Testament episodes. By examining the representation of the Annunciation of the Archangel Gabriel to Mary, the angel was defined at the same time the message and the medium, with reference to the definition of Marshall McLuhan "the medium is the message." The iconography of the Annunciation became at that point, "the advertisement of the invention of a new medium," that is television. "The television signal travels ceaselessly imaginative world. Prophecy is the mass in memory of this signal ... in the theater of memoria, la profezia è un dato immediato della scienza televisiva… La profezia e l’archeologia magnetica sono le due dimensioni estreme del segnale televisivo, la sua ampiezza”, si affermava. Il tempo della televisione veniva definito il terzo momento, dopo quello del Padre e del Figlio: “la televisione è il medium del terzo tipo. In questo senso la televisione è la realizzazione della profezia. Il compimento dei tempi. L’illuminazione dei tempi andati. Secondo la profezia di Gioacchino da Fiore il tempo del terzo Vangelo… Il tempo dello spirito, il tempo del codice, il tempo del numerico”. L’immagine televisiva, però, proprio come la fiamma che vede Mosè, non è reale e non esiste: "Does not burn and it is impossible to wrap ... It 's a ghost, the ghost of an image, a pure simulacrum, a slight illusion. The image of the television is the dream image of our stupor. " The text then approached the television to a series of reports, "the report of the third type is no longer rated, or 'number', and numbers: the deciphering of a code. Decipher what is coded is to reveal, discover a secret. " Within these reports, the human role is similar to television: "Television has taken the place of anyone. The others are erased in front of her. " The new medium is replaced, in particular, sometimes in the likeness and difference in the times, the figure of the father and mother: "Women are already recycled in advertising or television. Are the ad: the desire to purchase, that is advertising itself. Advertising is the message of the television ... is television advertising and dissipation ", in contrast to the father-master, however," the television is not perceived as repressive. Secretes a positive relationship. It is an aggression from outside. E '' home 'in the warm intimacy, seduces rather than punish "and may have a role educational "television show, shows it: it shows how to behave, how to be as it should."
In a text of the 70 group Jervis Comba (known for the preface Ronald David Laing, 'The Divided Self') used to define the television visionary metaphors, comparing it to the Old Testament episodes. By examining the representation of the Annunciation of the Archangel Gabriel to Mary, the angel was defined at the same time the message and the medium, with reference to the definition of Marshall McLuhan "the medium is the message." The iconography of the Annunciation became at that point, "the advertisement of the invention of a new medium," that is television. "The television signal travels ceaselessly imaginative world. Prophecy is the mass in memory of this signal ... in the theater of memoria, la profezia è un dato immediato della scienza televisiva… La profezia e l’archeologia magnetica sono le due dimensioni estreme del segnale televisivo, la sua ampiezza”, si affermava. Il tempo della televisione veniva definito il terzo momento, dopo quello del Padre e del Figlio: “la televisione è il medium del terzo tipo. In questo senso la televisione è la realizzazione della profezia. Il compimento dei tempi. L’illuminazione dei tempi andati. Secondo la profezia di Gioacchino da Fiore il tempo del terzo Vangelo… Il tempo dello spirito, il tempo del codice, il tempo del numerico”. L’immagine televisiva, però, proprio come la fiamma che vede Mosè, non è reale e non esiste: "Does not burn and it is impossible to wrap ... It 's a ghost, the ghost of an image, a pure simulacrum, a slight illusion. The image of the television is the dream image of our stupor. " The text then approached the television to a series of reports, "the report of the third type is no longer rated, or 'number', and numbers: the deciphering of a code. Decipher what is coded is to reveal, discover a secret. " Within these reports, the human role is similar to television: "Television has taken the place of anyone. The others are erased in front of her. " The new medium is replaced, in particular, sometimes in the likeness and difference in the times, the figure of the father and mother: "Women are already recycled in advertising or television. Are the ad: the desire to purchase, that is advertising itself. Advertising is the message of the television ... is television advertising and dissipation ", in contrast to the father-master, however," the television is not perceived as repressive. Secretes a positive relationship. It is an aggression from outside. E '' home 'in the warm intimacy, seduces rather than punish "and may have a role educational "television show, shows it: it shows how to behave, how to be as it should." 
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